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  <url>
    <loc>http://www.sarahpoulgrain.com/blindside-2015</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-01-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1443240938288-ASLYG8J7RQ2FW70E33OL/outdoor_mountain.gif</image:loc>
      <image:title>Humming Mound (2015)</image:title>
      <image:caption>Humming Mound (outdoor construction trial), series of 22 printed photographs, pine, cotton, clay, silicone, air pumps and plastic tubing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1443240938288-ASLYG8J7RQ2FW70E33OL/outdoor_mountain.gif</image:loc>
      <image:title>Humming Mound (2015)</image:title>
      <image:caption>Humming Mound (outdoor construction trial), series of 22 printed photographs, pine, cotton, clay, silicone, air pumps and plastic tubing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1433497298281-2XDL1TEZXMKQIUNGYIP5/image-asset.jpeg</image:loc>
      <image:title>Humming Mound (2015)</image:title>
      <image:caption>Humming Mound, pine, cotton, clay, silicone, air pumps and plastic tubing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1443242098414-Y6HJCX7BSQPRJQ67C1D6/image-asset.jpeg</image:loc>
      <image:title>Humming Mound (2015)</image:title>
      <image:caption>Demonstration of humming trial</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1443242437583-9KN16PJ8Y5ZUOEFOEHGQ/image-asset.jpeg</image:loc>
      <image:title>Humming Mound (2015)</image:title>
      <image:caption>Downstairs Construction (trial), single channel video, 2:43 minutes.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/in-progress</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1447202144937-GJ2RCGQV2M7IOFPEYC1H/9.jpg</image:loc>
      <image:title>Busts (2015 - 2016)</image:title>
      <image:caption>Busts of my Mother, clay, acrylic, handmade t-shirts and pine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1447202144937-GJ2RCGQV2M7IOFPEYC1H/9.jpg</image:loc>
      <image:title>Busts (2015 - 2016)</image:title>
      <image:caption>Busts of my Mother, clay, acrylic, handmade t-shirts and pine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1447202164105-HZ5Q9BSUXJOTFWU1Z221/6.jpg</image:loc>
      <image:title>Busts (2015 - 2016)</image:title>
      <image:caption>Installation of video Elizabeth Bennet Bust Construction video projection and Busts of my Mother.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1447202130487-T8TPH5DFN1QSV1XHCL8S/2.jpg</image:loc>
      <image:title>Busts (2015 - 2016)</image:title>
      <image:caption>Installation of Elizabeth Bennet Bust Construction video projection on freestanding wall, and 19 Busts of my Mother.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1490715522533-JL41V4ROGZWI0MYMIRN6/SUCCESS2a.jpg</image:loc>
      <image:title>Busts (2015 - 2016)</image:title>
      <image:caption>Installation view of Bust Construction at Success, Perth. Exhibition included Busts of my mother and Elizabeth Bennet Bust Construction video projection. Photograph by Dan McCabe.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1450702882500-OPZUARLUCB3LSUN9PAO3/image-asset.png</image:loc>
      <image:title>Busts (2015 - 2016)</image:title>
      <image:caption>Elizabeth Bennett Bust Construction, single channel video, 3:00 minutes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1450680857095-8ITRL0FQYSB3QKT2D2BW/sarah1.jpg</image:loc>
      <image:title>Busts (2015 - 2016)</image:title>
      <image:caption>Left: Busts of my mother, 20 page hard cover book, edition of 5, 2015. Right: Characters from the 1995 BBC adaptation of Pride and Prejudice, 20 page hardcover book, 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1443860323779-T81CPCEIJ5IAQTB97ZIT/prej-trial.gif</image:loc>
      <image:title>Busts (2015 - 2016)</image:title>
      <image:caption>Characters from the 1995 BBC adaptation of Pride and Prejudice, printed book 20x25cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1443242775088-OIYODRM5PYVUXRPTNMHQ/image-asset.jpeg</image:loc>
      <image:title>Busts (2015 - 2016)</image:title>
      <image:caption>Clay Busts of Characters from the 1995 BBC version of Pride and Prejudice (construction trial), clay and acrylic.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1475505799981-2C5EH489U53PLZJ501GK/S.Poulgrain.Fries.jpg</image:loc>
      <image:title>Busts (2015 - 2016)</image:title>
      <image:caption>Anne and her painting (detail), acrylic on clay, fabric, painting by Anne Collis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1447202197312-4E0KD802BQTJIW1S2AZD/sarahpoulgrain-1.jpg</image:loc>
      <image:title>Busts (2015 - 2016)</image:title>
      <image:caption>Llewellyn Bust, clay, acrylic, pine, umbro shirt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1433042620487-T0B46RDNUCB7EVY7L9KY/image-asset.gif</image:loc>
      <image:title>Busts (2015 - 2016)</image:title>
      <image:caption>Humming Mound (outdoor construction trial), series of 22 printed photographs, pine, cotton, clay, silicone, air pumps and plastic tubing.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/metro-arts-2014</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1412134461997-QOO8H9ZFR1T1HA633JDW/five+beers.jpg</image:loc>
      <image:title>Feel the Quality (2014)</image:title>
      <image:caption>Five Beers, clay, steel, MDF, beer, pumps, infrared sensor. Collaborative work with Llewellyn Millhouse.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1412134461997-QOO8H9ZFR1T1HA633JDW/five+beers.jpg</image:loc>
      <image:title>Feel the Quality (2014)</image:title>
      <image:caption>Five Beers, clay, steel, MDF, beer, pumps, infrared sensor. Collaborative work with Llewellyn Millhouse.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1412134485509-UF80F9HUDH3H5J0YJYGP/five+beeers+detail.jpg</image:loc>
      <image:title>Feel the Quality (2014)</image:title>
      <image:caption>Five Beers, clay, steel, MDF, beer, pumps, infrared sensor. Collaborative work with Llewellyn Millhouse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1412134489262-WCAVZSGLKF8YPUTSKRVT/BIG+W+wide.jpg</image:loc>
      <image:title>Feel the Quality (2014)</image:title>
      <image:caption>Big W on a Big W tablecloth, projection on plastic. Collaborative work with Llewellyn Millhouse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1412134532188-FPR8QLDZ1MBTVJ31O21M/wretling+dtawings.jpg</image:loc>
      <image:title>Feel the Quality (2014)</image:title>
      <image:caption>Wrestlers (drawings), ink on paper, structural timber and glass. Collaborative work with Llewellyn Millhouse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1412134535984-TCKBD3NJZGJIMLN2SUTR/Wrestler4.jpg</image:loc>
      <image:title>Feel the Quality (2014)</image:title>
      <image:caption>Wrestlers (drawings), ink on paper, structural timber and glass. Collaborative work with Llewellyn Millhouse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1412134541235-Q4XQYWQ4OOM0ERQFC1A0/Wrestler3.jpg</image:loc>
      <image:title>Feel the Quality (2014)</image:title>
      <image:caption>Wrestlers (drawings), ink on paper, structural timber and glass. Collaborative work with Llewellyn Millhouse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1412134543687-6ZAW85PLO3BSKHRSF9PD/Wrestler2.jpg</image:loc>
      <image:title>Feel the Quality (2014)</image:title>
      <image:caption>Wrestlers (drawings), ink on paper, structural timber and glass. Collaborative work with Llewellyn Millhouse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1412134546800-B8056FGBFT1K3JESGG1H/Wrestler1.jpg</image:loc>
      <image:title>Feel the Quality (2014)</image:title>
      <image:caption>Wrestlers (drawings), ink on paper, structural timber and glass. Collaborative work with Llewellyn Millhouse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1412134554697-NVYJAMXITN5EEY0MQVMF/WRESTLER.5.jpg</image:loc>
      <image:title>Feel the Quality (2014)</image:title>
      <image:caption>Wrestlers (drawings), ink on paper, structural timber and glass. Collaborative work with Llewellyn Millhouse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1412134561072-EE4W16S3KIBVOJPBDNE2/wrestling+figures.jpg</image:loc>
      <image:title>Feel the Quality (2014)</image:title>
      <image:caption>Wrestlers (figures), clay, enamel and concrete shelf. Collaborative work with Llewellyn Millhouse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1425289550750-AKRGR79EEMJS0JUPTJL6/image-asset.jpeg</image:loc>
      <image:title>Feel the Quality (2014)</image:title>
      <image:caption>Wrestlers (figures), clay, enamel and concrete shelf. Collaborative work with Llewellyn Millhouse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1425289615652-TP49U2SMZXYXG9EY9R0P/image-asset.jpeg</image:loc>
      <image:title>Feel the Quality (2014)</image:title>
      <image:caption>Wrestlers (figures), clay, enamel and concrete shelf. Collaborative work with Llewellyn Millhouse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/542b5d04e4b0422d3fc292ec/542b758be4b0801eab7067de/54f43181e4b06908d50049a3/1425289601077/</image:loc>
      <image:title>Feel the Quality (2014)</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/exchange-of-fluids-2016</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-06-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1497016702897-MEG2VNVUYR4PVI3CABH2/image-asset.jpeg</image:loc>
      <image:title>Exchange of Fluids (2016)</image:title>
      <image:caption>Exchange of Fluids, Llewellyn Millhouse for safARI 2016, fountain with synthetic floral scent, towels</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1497016702897-MEG2VNVUYR4PVI3CABH2/image-asset.jpeg</image:loc>
      <image:title>Exchange of Fluids (2016)</image:title>
      <image:caption>Exchange of Fluids, Llewellyn Millhouse for safARI 2016, fountain with synthetic floral scent, towels</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1460010828206-FK464PCL4FPP4Z7NOLRP/image-asset.png</image:loc>
      <image:title>Exchange of Fluids (2016)</image:title>
      <image:caption>Exchange of Fluids, Llewellyn Millhouse for safARI 2016, fountain with synthetic floral scent, towels</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/542b5d04e4b0422d3fc292ec/5705f54cf699bb254be36d2d/593aa96cf7d1fff2bf887b9c/1460010895607/</image:loc>
      <image:title>Exchange of Fluids (2016) - .</image:title>
      <image:caption>Exchange of Fluids, Llewellyn Millhouse for safARI 2016, fountain with synthetic floral scent, towels</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/542b5d04e4b0422d3fc292ec/5705f54cf699bb254be36d2d/593aa97e890b274883ac5f4f/1497016685052/</image:loc>
      <image:title>Exchange of Fluids (2016) - .</image:title>
      <image:caption>Exchange of Fluids, Llewellyn Millhouse for safARI 2016, fountain with synthetic floral scent, towels</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/sewing-experiments-2016</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-11-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1474588603350-732O3MMC9AOQTRPWB19O/no+compression+trnsparent.png</image:loc>
      <image:title>Sewing Experiments (2016)</image:title>
      <image:caption>Birthday Present 2016, cotton and fabric paint.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1474588603350-732O3MMC9AOQTRPWB19O/no+compression+trnsparent.png</image:loc>
      <image:title>Sewing Experiments (2016)</image:title>
      <image:caption>Birthday Present 2016, cotton and fabric paint.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1489672538376-XTXZSYSGI6VQ5YRYW7TS/towel+shirt+no+back.jpg</image:loc>
      <image:title>Sewing Experiments (2016)</image:title>
      <image:caption>Towel Shirt, used towels and coathanger.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1463281108276-MEZ7BM3JG1TZFWAGGUQO/Sarah.Wall.Hanging.jpg</image:loc>
      <image:title>Sewing Experiments (2016)</image:title>
      <image:caption>Sewing Experiment, rope, fabric and threaded rod.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/structures-2016</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-11-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1501241089394-XS6DY47EPZ4PR1SK5ZSM/colour+corrected.jpg</image:loc>
      <image:title>Structures (2016)</image:title>
      <image:caption>Llewellyn Bust and Sarah Bust (detail), print on gyprock and pine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1501241089394-XS6DY47EPZ4PR1SK5ZSM/colour+corrected.jpg</image:loc>
      <image:title>Structures (2016)</image:title>
      <image:caption>Llewellyn Bust and Sarah Bust (detail), print on gyprock and pine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1466568538502-OXSJEE30JFC7JVC5LGWH/sarah.cutThumb.jpg</image:loc>
      <image:title>Structures (2016)</image:title>
      <image:caption>Llewellyn Bust and Sarah Bust, print on gyprock and pine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1477526998040-PND501L4GRB31PTYKEQ9/sunflower1.jpg</image:loc>
      <image:title>Structures (2016)</image:title>
      <image:caption>Sunflower, carboard, acrylic, clay, tape and metal poles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/542b5d04e4b0422d3fc292ec/576a0f0c2e69cf8e279fb921/576a0f4dbebafb8129e10a68/1466568525499/</image:loc>
      <image:title>Structures (2016)</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/workshops-2016</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-10-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1475430065149-DP2QN3MAWJWR4C4RW1GM/Pot+Workshop+2.JPG</image:loc>
      <image:title>Workshops (2016)</image:title>
      <image:caption>Vessel Construction Workshop, collaborative work with Bridie Gillman and Kylie Spear. Hosting workshops with 6 people attempting to build a clay vessel as a group.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1475430065149-DP2QN3MAWJWR4C4RW1GM/Pot+Workshop+2.JPG</image:loc>
      <image:title>Workshops (2016)</image:title>
      <image:caption>Vessel Construction Workshop, collaborative work with Bridie Gillman and Kylie Spear. Hosting workshops with 6 people attempting to build a clay vessel as a group.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1475430250714-5GCW4BEISJY2XCCV0U7N/1a.JPG</image:loc>
      <image:title>Workshops (2016)</image:title>
      <image:caption>Vessel Construction Workshop, collaborative work with Bridie Gillman and Kylie Spear. Hosting workshops with 6 people attempting to build a clay vessel as a group.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1475506216593-V96COPFP5PKTBMASNSVP/smilepot.jpg</image:loc>
      <image:title>Workshops (2016)</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/studio</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1505030350327-F3N0JG0PTWC8CSKQBJOH/image-asset.jpeg</image:loc>
      <image:title>Two dancing videos (2017)</image:title>
      <image:caption>Documentation of four channel installation at RM, Auckland available here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1505030350327-F3N0JG0PTWC8CSKQBJOH/image-asset.jpeg</image:loc>
      <image:title>Two dancing videos (2017)</image:title>
      <image:caption>Documentation of four channel installation at RM, Auckland available here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1491482329122-RZIIJ0EWVT8RGK6FNUAY/image-asset.jpeg</image:loc>
      <image:title>Two dancing videos (2017)</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>Two dancing videos (2017)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1496739891949-OSPV04225OD3AP1UC0D1/thumbnail.jpg</image:loc>
      <image:title>Two dancing videos (2017)</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1505030350327-F3N0JG0PTWC8CSKQBJOH/image-asset.jpeg</image:loc>
      <image:title>Two dancing videos (2017)</image:title>
      <image:caption>Documentation of four channel installation at RM, Auckland available here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/542b5d04e4b0422d3fc292ec/58114e4b29687f04802cc8dc/59b4ee22bce17645d64deee2/1505030185536/</image:loc>
      <image:title>Two dancing videos (2017)</image:title>
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      <image:title>Two dancing videos (2017)</image:title>
      <image:caption />
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    <image:image>
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      <image:title>Two dancing videos (2017)</image:title>
      <image:caption>Slow Movement Sequence 4:52min.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/542b5d04e4b0422d3fc292ec/58114e4b29687f04802cc8dc/58e636d8365ffa10c0f122b6/1491170512938/</image:loc>
      <image:title>Two dancing videos (2017)</image:title>
      <image:caption>Slow Movement Sequence, 4:52min.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1491168039191-IF46JFYP50A3MB51G0WF/image-asset.jpeg</image:loc>
      <image:title>Two dancing videos (2017)</image:title>
      <image:caption>Slow Movement Sequence :52min.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1491168455525-I1PD6QDHTMVDPDOI559B/Screen+Shot+2017-04-03+at+7.26.08+AM.jpeg</image:loc>
      <image:title>Two dancing videos (2017)</image:title>
      <image:caption>Slow Movement Sequence 4:52min.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1491167614270-CS3YTFICYDKLKLP1DA8C/Screen+Shot+2017-04-01+at+12.20.39+PM.png</image:loc>
      <image:title>Two dancing videos (2017)</image:title>
      <image:caption>Slow Movement Sequence 4:52min.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1477529307875-TZPLM4KRRXV9T74TNFO1/image-asset.jpeg</image:loc>
      <image:title>Two dancing videos (2017)</image:title>
      <image:caption>Another Night Real McCoy, 2.00min.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/542b5d04e4b0422d3fc292ec/58114e4b29687f04802cc8dc/58bead50f7d1ff62f2536b61/1488891182992/</image:loc>
      <image:title>Two dancing videos (2017)</image:title>
      <image:caption>Another Night (Real McCoy), 2.00min.  Audio best with headphones</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1488891216392-UJMK8JGFZ40Z4XDA9B37/image-asset.jpeg</image:loc>
      <image:title>Two dancing videos (2017)</image:title>
      <image:caption>Another Night (Real McCoy), 2.00min.  Audio best with headphones</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/542b5d04e4b0422d3fc292ec/58114e4b29687f04802cc8dc/58ca8f84c030265dea41b727/1489670001585/</image:loc>
      <image:title>Two dancing videos (2017)</image:title>
      <image:caption>Another Night (Real McCoy), 2.00min.  Audio best with headphones</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/542b5d04e4b0422d3fc292ec/58114e4b29687f04802cc8dc/58114edb3f40585ee61b4665/1477529281746/</image:loc>
      <image:title>Two dancing videos (2017)</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/gillman-spear</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-03-16</lastmod>
    <image:image>
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      <image:title>Gillman &amp; Spear (2015)</image:title>
      <image:caption>Installation of The height of a Mountain, width of a valley exhibition at Metro Arts. Collaborative exhibition with Bridie Gillman and Kylie Spear based on residency in Taylors Arm (NSW). Photograph by Bridie Gillman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1489666701074-9IISAUA8EM11A47V9W60/Metro+Documentation_01.jpg</image:loc>
      <image:title>Gillman &amp; Spear (2015)</image:title>
      <image:caption>Installation of The height of a Mountain, width of a valley exhibition at Metro Arts. Collaborative exhibition with Bridie Gillman and Kylie Spear based on residency in Taylors Arm (NSW). Photograph by Bridie Gillman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1489666370129-YGB0DXQEHCELV4Q38SH7/Metro+Documentation_32.jpg</image:loc>
      <image:title>Gillman &amp; Spear (2015)</image:title>
      <image:caption>Installation of The height of a Mountain, width of a valley exhibition at Metro Arts. Collaborative exhibition with Bridie Gillman and Kylie Spear based on residency in Taylors Arm (NSW). Photograph by Bridie Gillman.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Gillman &amp; Spear (2015)</image:title>
      <image:caption>Installation of The height of a Mountain, width of a valley exhibition at Metro Arts. Collaborative exhibition with Bridie Gillman and Kylie Spear based on residency in Taylors Arm (NSW). Photograph by Bridie Gillman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1489666435336-4PMOMOE44T6OWHZJHGOC/Metro+Documentation_27.jpg</image:loc>
      <image:title>Gillman &amp; Spear (2015)</image:title>
      <image:caption>Installation of The height of a Mountain, width of a valley exhibition at Metro Arts. Collaborative exhibition with Bridie Gillman and Kylie Spear based on residency in Taylors Arm (NSW). Photograph by Bridie Gillman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1489666479017-KY97ZPH93DRGIK7VXPST/Metro+Documentation_25.jpg</image:loc>
      <image:title>Gillman &amp; Spear (2015)</image:title>
      <image:caption>Installation of The height of a Mountain, width of a valley exhibition at Metro Arts. Collaborative exhibition with Bridie Gillman and Kylie Spear based on residency in Taylors Arm (NSW). Photograph by Bridie Gillman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1489666592058-UX951BOC2B3P5VDHBRVS/Metro+Documentation_16.jpg</image:loc>
      <image:title>Gillman &amp; Spear (2015)</image:title>
      <image:caption>Installation of The height of a Mountain, width of a valley exhibition at Metro Arts. Collaborative exhibition with Bridie Gillman and Kylie Spear based on residency in Taylors Arm (NSW). Photograph by Bridie Gillman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1489666526899-TKHNVJIOR7CCJZJZX9JO/Metro+Documentation_22.jpg</image:loc>
      <image:title>Gillman &amp; Spear (2015)</image:title>
      <image:caption>Installation of The height of a Mountain, width of a valley exhibition at Metro Arts. Collaborative exhibition with Bridie Gillman and Kylie Spear based on residency in Taylors Arm (NSW). Photograph by Bridie Gillman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1489666527112-PZB8JC6FYL095YKF3E1P/Metro+Documentation_21.jpg</image:loc>
      <image:title>Gillman &amp; Spear (2015)</image:title>
      <image:caption>Installation of The height of a Mountain, width of a valley exhibition at Metro Arts. Collaborative exhibition with Bridie Gillman and Kylie Spear based on residency in Taylors Arm (NSW). Photograph by Bridie Gillman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1489666579438-NRFV8R1A9PJZUYT8O9W6/Metro+Documentation_15.jpg</image:loc>
      <image:title>Gillman &amp; Spear (2015)</image:title>
      <image:caption>Installation of The height of a Mountain, width of a valley exhibition at Metro Arts. Collaborative exhibition with Bridie Gillman and Kylie Spear based on residency in Taylors Arm (NSW). Photograph by Bridie Gillman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1489666644545-S1X812H4CMAS30CDWASR/Metro+Documentation_12.jpg</image:loc>
      <image:title>Gillman &amp; Spear (2015)</image:title>
      <image:caption>Installation of The height of a Mountain, width of a valley exhibition at Metro Arts. Collaborative exhibition with Bridie Gillman and Kylie Spear based on residency in Taylors Arm (NSW). Photograph by Bridie Gillman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1489666639003-NFHB9BGVL4VE0OFU5UOA/Metro+Documentation_08.jpg</image:loc>
      <image:title>Gillman &amp; Spear (2015)</image:title>
      <image:caption>Installation of The height of a Mountain, width of a valley exhibition at Metro Arts. Collaborative exhibition with Bridie Gillman and Kylie Spear based on residency in Taylors Arm (NSW). Photograph by Bridie Gillman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1489666676600-431GP37222TUHTC7YAMR/Metro+Documentation_06+copy.jpg</image:loc>
      <image:title>Gillman &amp; Spear (2015)</image:title>
      <image:caption>Installation of The height of a Mountain, width of a valley exhibition at Metro Arts. Collaborative exhibition with Bridie Gillman and Kylie Spear based on residency in Taylors Arm (NSW). Photograph by Bridie Gillman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1489666684919-GE4T6D4D05M4SII24J33/Metro+Documentation_05.jpg</image:loc>
      <image:title>Gillman &amp; Spear (2015)</image:title>
      <image:caption>Installation of The height of a Mountain, width of a valley exhibition at Metro Arts. Collaborative exhibition with Bridie Gillman and Kylie Spear based on residency in Taylors Arm (NSW). Photograph by Bridie Gillman.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/cardboard-constructions-2016</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-05-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1489663590591-X1OAZVM34XU1G5GQI5V9/Aishla+Manning+%26+Sarah+Poulgrain+-+Cardboard+Contructions-025.jpg</image:loc>
      <image:title>Cardboard Constructions (2016)</image:title>
      <image:caption>Pasta Strainer collaborative work with Aishla Manning, cardboard and fabric. Photograph by Christo Crocker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1489663590591-X1OAZVM34XU1G5GQI5V9/Aishla+Manning+%26+Sarah+Poulgrain+-+Cardboard+Contructions-025.jpg</image:loc>
      <image:title>Cardboard Constructions (2016)</image:title>
      <image:caption>Pasta Strainer collaborative work with Aishla Manning, cardboard and fabric. Photograph by Christo Crocker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1489663589234-KPH2C03R3SN9N63JH9UG/Aishla+Manning+%26+Sarah+Poulgrain+-+Cardboard+Contructions-010.jpg</image:loc>
      <image:title>Cardboard Constructions (2016)</image:title>
      <image:caption>Cardboard Constructions installation at Bus Projects, collaborative work with Aishla Manning. Photograph by Christo Crocker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1494375196265-UI7BG009TM0KH80J55DU/image-asset.jpeg</image:loc>
      <image:title>Cardboard Constructions (2016)</image:title>
      <image:caption>Cardboard Constructions, 4:03min. collaborative work with Aishla Manning.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/slow-movement-sequence-2017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1494375904824-LTGC6RVLFMNBQ23YN0DR/2.jpg</image:loc>
      <image:title>Slow Movement Sequence (2017)</image:title>
      <image:caption>Slow Movement Sequence II, series of nine sewn sculptures. Photograph by Lucy Parakhina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1494375904824-LTGC6RVLFMNBQ23YN0DR/2.jpg</image:loc>
      <image:title>Slow Movement Sequence (2017)</image:title>
      <image:caption>Slow Movement Sequence II, series of nine sewn sculptures. Photograph by Lucy Parakhina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1494375945257-HS6PJ5CCNK5FXV2N4E05/3.jpg</image:loc>
      <image:title>Slow Movement Sequence (2017)</image:title>
      <image:caption>Slow Movement Sequence II, series of nine sewn sculptures. Photograph by Lucy Parakhina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1494375986465-Y58FP1VA7OSEHWAMLT0E/4.jpg</image:loc>
      <image:title>Slow Movement Sequence (2017)</image:title>
      <image:caption>Slow Movement Sequence II, series of nine sewn sculptures. Photograph by Lucy Parakhina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1494375835687-CEXBOP1K4RN4S344GC9P/1.jpg</image:loc>
      <image:title>Slow Movement Sequence (2017)</image:title>
      <image:caption>Slow Movement Sequence, video installation at Visual Bulk. Photograph by Lucy Parakhina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1584854741990-QQJJI82N2AVJAN2DIRJ3/image-asset.jpeg</image:loc>
      <image:title>Slow Movement Sequence (2017)</image:title>
      <image:caption>Slow Movement Sequence, video installation at Visual Bulk.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/conversation-in-two-parts-2018</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-01-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1516969187536-5Y7PA81LQABE6Y0W3Z7T/image-asset.jpeg</image:loc>
      <image:title>Conversation in two parts (2018)</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>Conversation in two parts (2018)</image:title>
      <image:caption />
    </image:image>
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      <image:title>Conversation in two parts (2018)</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>Conversation in two parts (2018)</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>Conversation in two parts (2018)</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>Conversation in two parts (2018)</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>Conversation in two parts (2018)</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/conversation-in-two-parts-2018-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-03-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1523877857020-BFA93Z1VJG38BTFOW9V2/image-asset.jpeg</image:loc>
      <image:title>Conversation in Two Parts (2018)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1523877857020-BFA93Z1VJG38BTFOW9V2/image-asset.jpeg</image:loc>
      <image:title>Conversation in Two Parts (2018)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1552532925897-P4PYXVLLQHRO5JYY32T4/image-asset.jpeg</image:loc>
      <image:title>Conversation in Two Parts (2018)</image:title>
      <image:caption>Installed at Firstdraft (2018).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1523878009993-HXS2ZYSEJR1IVFNXKB73/image-asset.jpeg</image:loc>
      <image:title>Conversation in Two Parts (2018)</image:title>
      <image:caption>Installed at Firstdraft (2018).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/542b5d04e4b0422d3fc292ec/5ad48710758d46ce634138aa/5ad487e0ed62fe3e22164ab1/1523877672221/</image:loc>
      <image:title>Conversation in Two Parts (2018)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1540137315742-TXPTC5W9BJL818SDAIUW/My+Fav.jpg</image:loc>
      <image:title>Conversation in Two Parts (2018)</image:title>
      <image:caption>Installed at Metro Arts (2018).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/16-in-4-parts-2017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-03-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1552532971229-TNAS9VVGZZAIELJD1B9S/image-asset.jpeg</image:loc>
      <image:title>16 in 4 parts (2017)</image:title>
      <image:caption>Documentation of four channel installation at RM, Auckland available here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1552532971229-TNAS9VVGZZAIELJD1B9S/image-asset.jpeg</image:loc>
      <image:title>16 in 4 parts (2017)</image:title>
      <image:caption>Documentation of four channel installation at RM, Auckland available here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/542b5d04e4b0422d3fc292ec/5ba492aae4966b2bc5d17505/5ba492f4c1c75eb617dd0448/1537512180463/</image:loc>
      <image:title>16 in 4 parts (2017)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1537512181168-XXHWM3CKFCDLXPZK1G6S/image-asset.jpeg</image:loc>
      <image:title>16 in 4 parts (2017)</image:title>
      <image:caption>Documentation of four channel installation at RM, Auckland available here.</image:caption>
    </image:image>
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  <url>
    <loc>http://www.sarahpoulgrain.com/new-gallery</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2018-09-21</lastmod>
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      <image:title>Skil-Sharing Shirts (2018)</image:title>
      <image:caption>Three shirts made in collaboration with Rachael Archibald. Made using a process of learning how to sew shirts and use natural dyes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1537511728713-8CQYFK0GV0MOPNOUMVE8/rach+1.jpg</image:loc>
      <image:title>Skil-Sharing Shirts (2018)</image:title>
      <image:caption>Three shirts made in collaboration with Rachael Archibald. Made using a process of learning how to sew shirts and use natural dyes.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/a-set-of-new-skills-weaving-welding-2019</loc>
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      <image:title>A Set of New Skills: Weaving &amp; Welding (2019)</image:title>
      <image:caption>Over a 10 month period I learnt how to weave and weld using skill-sharing and DIY forms of learning. This exhibition is the outcome of that process. The show was accompanied by thirty one-on-one skill sharing workshops throughout the month. The process of learning these skills was documented in a book available to read here. Essay by Leen Rieth available here. Collaborative audio work with Rachael Archibald. Production assistance from Llewellyn Millhouse, Anya Swan, James Barth and Alleyne Learmonth. Documentation by Charlie Hillhouse. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.</image:caption>
    </image:image>
    <image:image>
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      <image:title>A Set of New Skills: Weaving &amp; Welding (2019)</image:title>
      <image:caption>Over a 10 month period I learnt how to weave and weld using skill-sharing and DIY forms of learning. This exhibition is the outcome of that process. The show was accompanied by thirty one-on-one skill sharing workshops throughout the month. The process of learning these skills was documented in a book available to read here. Essay by Leen Rieth available here. Collaborative audio work with Rachael Archibald. Production assistance from Llewellyn Millhouse, Anya Swan, James Barth and Alleyne Learmonth. Documentation by Charlie Hillhouse. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1552529782961-Y4K27JBZRSNY4NJG96CK/MID34.jpg</image:loc>
      <image:title>A Set of New Skills: Weaving &amp; Welding (2019)</image:title>
      <image:caption>Over a 10 month period I learnt how to weave and weld using skill-sharing and DIY forms of learning. This exhibition is the outcome of that process. The show was accompanied by thirty one-on-one skill sharing workshops throughout the month. The process of learning these skills was documented in a book available to read here. Essay by Leen Rieth available here Collaborative audio work with Rachael Archibald. Production assistance from Llewellyn Millhouse, Anya Swan, James Barth and Alleyne Learmonth. Documentation by Charlie Hillhouse. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.</image:caption>
    </image:image>
    <image:image>
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      <image:title>A Set of New Skills: Weaving &amp; Welding (2019)</image:title>
      <image:caption>Over a 10 month period I learnt how to weave and weld using skill-sharing and DIY forms of learning. This exhibition is the outcome of that process. The show was accompanied by thirty one-on-one skill sharing workshops throughout the month. The process of learning these skills was documented in a book available to read here. Essay by Leen Rieth available here Collaborative audio work with Rachael Archibald. Production assistance from Llewellyn Millhouse, Anya Swan, James Barth and Alleyne Learmonth. Documentation by Charlie Hillhouse. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.</image:caption>
    </image:image>
    <image:image>
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      <image:title>A Set of New Skills: Weaving &amp; Welding (2019)</image:title>
      <image:caption>Over a 6 - 12 month period I used skill-sharing and DIY forms of learning to weave and weld. This exhibition is the outcome of that process, it was accompanied by one-on-one skill sharing workshops throughout the month.  The process of learning these skills was documented in a book available to read here. Essay by Leen Reith available here. Collaborative audio work with Rachael Archibald. Production assistance from Llewellyn Millhouse, Anya Swan, James Barth and Alleyne Learmonth. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1551235496146-LQPKFBW241M66L63WSZ1/Sarah-Poulgrain-Outerspace-Audience-Interaction-Docmentation-LR-34.jpg</image:loc>
      <image:title>A Set of New Skills: Weaving &amp; Welding (2019)</image:title>
    </image:image>
    <image:image>
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      <image:title>A Set of New Skills: Weaving &amp; Welding (2019)</image:title>
      <image:caption>Over a 10 month period I learnt how to weave and weld using skill-sharing and DIY forms of learning. This exhibition is the outcome of that process. The show was accompanied by thirty one-on-one skill sharing workshops throughout the month. The process of learning these skills was documented in a book available to read here. Essay by Leen Rieth available here Collaborative audio work with Rachael Archibald. Production assistance from Llewellyn Millhouse, Anya Swan, James Barth and Alleyne Learmonth. Documentation by Charlie Hillhouse. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1552533743569-YJYD5VMDQG5JUCBKHBAK/MID27.jpg</image:loc>
      <image:title>A Set of New Skills: Weaving &amp; Welding (2019)</image:title>
      <image:caption>Over a 10 month period I learnt how to weave and weld using skill-sharing and DIY forms of learning. This exhibition is the outcome of that process. The show was accompanied by thirty one-on-one skill sharing workshops throughout the month. The process of learning these skills was documented in a book available to read here. Essay by Leen Rieth available here Collaborative audio work with Rachael Archibald. Production assistance from Llewellyn Millhouse, Anya Swan, James Barth and Alleyne Learmonth. Documentation by Charlie Hillhouse. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.</image:caption>
    </image:image>
    <image:image>
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      <image:title>A Set of New Skills: Weaving &amp; Welding (2019)</image:title>
      <image:caption>Over a 10 month period I learnt how to weave and weld using skill-sharing and DIY forms of learning. This exhibition is the outcome of that process. The show was accompanied by thirty one-on-one skill sharing workshops throughout the month. The process of learning these skills was documented in a book available to read here. Essay by Leen Rieth available here Collaborative audio work with Rachael Archibald. Production assistance from Llewellyn Millhouse, Anya Swan, James Barth and Alleyne Learmonth. Documentation by Charlie Hillhouse. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.</image:caption>
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    <image:image>
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      <image:title>A Set of New Skills: Weaving &amp; Welding (2019)</image:title>
      <image:caption>Over a 10 month period I learnt how to weave and weld using skill-sharing and DIY forms of learning. This exhibition is the outcome of that process. The show was accompanied by thirty one-on-one skill sharing workshops throughout the month. The process of learning these skills was documented in a book available to read here. Essay by Leen Rieth available here Collaborative audio work with Rachael Archibald. Production assistance from Llewellyn Millhouse, Anya Swan, James Barth and Alleyne Learmonth. Documentation by Charlie Hillhouse. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.</image:caption>
    </image:image>
    <image:image>
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      <image:title>A Set of New Skills: Weaving &amp; Welding (2019)</image:title>
      <image:caption>Over a 10 month period I learnt how to weave and weld using skill-sharing and DIY forms of learning. This exhibition is the outcome of that process. The show was accompanied by thirty one-on-one skill sharing workshops throughout the month. The process of learning these skills was documented in a book available to read here. Essay by Leen Rieth available here Collaborative audio work with Rachael Archibald. Production assistance from Llewellyn Millhouse, Anya Swan, James Barth and Alleyne Learmonth. Documentation by Charlie Hillhouse. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.</image:caption>
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  <url>
    <loc>http://www.sarahpoulgrain.com/a-set-of-new-skills-chair-making</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-05-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1597492975944-CR9CLFB3WK5HSV5X36DD/image-asset.jpeg</image:loc>
      <image:title>A Set of New Skills: Chair Making</image:title>
      <image:caption>This project prioritises skill-sharing as both process and outcome, involving four other artists to work together to learn how to make welded chairs of their own design: Samantha Axiak, Angelica Roache-Wilson, Tyza Stewart, and Kate Woodcroft. For the First Thursdays event at IMA, participating artists shared text, videos, reflections and sound work in the format of a listening event. Video by Charlie Hillhouse documenting 3 of 5 chairs produced. Documentation ongoing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1597492975944-CR9CLFB3WK5HSV5X36DD/image-asset.jpeg</image:loc>
      <image:title>A Set of New Skills: Chair Making</image:title>
      <image:caption>This project prioritises skill-sharing as both process and outcome, involving four other artists to work together to learn how to make welded chairs of their own design: Samantha Axiak, Angelica Roache-Wilson, Tyza Stewart, and Kate Woodcroft. For the First Thursdays event at IMA, participating artists shared text, videos, reflections and sound work in the format of a listening event. Video by Charlie Hillhouse documenting 3 of 5 chairs produced. Documentation ongoing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1597492725322-PXBI2JPYUT5S0V16NY53/image-asset.jpeg</image:loc>
      <image:title>A Set of New Skills: Chair Making</image:title>
      <image:caption>This project prioritises skill-sharing as both process and outcome, involving four other artists to work together to learn how to make welded chairs of their own design: Samantha Axiak, Angelica Roache-Wilson, Tyza Stewart, and Kate Woodcroft. For the First Thursdays event at IMA, participating artists shared text, videos, reflections and sound work in the format of a listening event. Documentation of each chair coming soon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1597492725338-DTEQBIFS1H8PJEKZ620J/image-asset.jpeg</image:loc>
      <image:title>A Set of New Skills: Chair Making</image:title>
      <image:caption>This project prioritises skill-sharing as both process and outcome, involving four other artists to work together to learn how to make welded chairs of their own design: Samantha Axiak, Angelica Roache-Wilson, Tyza Stewart, and Kate Woodcroft. For the First Thursdays event at IMA, participating artists shared text, videos, reflections and sound work in the format of a listening event. Video by Charlie Hillhouse documenting 3 of 5 chairs produced. Documentation ongoing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1571055275597-NO1VB72ETGPXASZ7HBQL/8small.jpg</image:loc>
      <image:title>A Set of New Skills: Chair Making</image:title>
      <image:caption>This project prioritises skill-sharing as both process and outcome, involving four other artists to work together to learn how to make welded chairs of their own design: Samantha Axiak, Angelica Roache-Wilson, Tyza Stewart, and Kate Woodcroft. For the First Thursdays event at IMA, participating artists shared text, videos, reflections and sound work in the format of a listening event. Documentation of each chair coming soon. Photograph by Marc Pricop</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1571055212062-E4Y6MB7D2J8I4GE37GGL/10small.jpg</image:loc>
      <image:title>A Set of New Skills: Chair Making</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1571060305132-U1XNDM59QEYU9OMI9RG5/20191002_094025.jpg</image:loc>
      <image:title>A Set of New Skills: Chair Making</image:title>
      <image:caption>This project prioritises skill-sharing as both process and outcome, involving four other artists to work together to learn how to make welded chairs of their own design: Samantha Axiak, Angelica Roache-Wilson, Tyza Stewart, and Kate Woodcroft. For the First Thursdays event at IMA, participating artists shared text, videos, reflections and sound work in the format of a listening event. Documentation of each chair coming soon.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/a-set-of-new-skills-welding-2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1576033487780-QAVSGSFED0K0QLV5ZY8P/Sarah+Poulgrain%2C+Desire+Lines+walking+tour_Photo+Llewellyn+Millhouse_6+%282%29.jpg</image:loc>
      <image:title>A Set of New Skills: Desire Lines (2019)</image:title>
      <image:caption>This iteration of a A Set of New Skills was adapted for Hobiennale. Seb and Meave from Desire Lines (Sydney) learnt how to weld and made a steel table. The table and work area was used one stop of the Desire Lines walking tour, and later in the festival used as infrastructure for the Desire Lines cake parade. Photos 1 and 2 by Llewellyn Millhouse, photos 3-11 by Lucy Parakhina. Thanks to Seb, Meave, Hobiennale team &amp; cake makers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1576033487780-QAVSGSFED0K0QLV5ZY8P/Sarah+Poulgrain%2C+Desire+Lines+walking+tour_Photo+Llewellyn+Millhouse_6+%282%29.jpg</image:loc>
      <image:title>A Set of New Skills: Desire Lines (2019)</image:title>
      <image:caption>This iteration of a A Set of New Skills was adapted for Hobiennale. Seb and Meave from Desire Lines (Sydney) learnt how to weld and made a steel table. The table and work area was used one stop of the Desire Lines walking tour, and later in the festival used as infrastructure for the Desire Lines cake parade. Photos 1 and 2 by Llewellyn Millhouse, photos 3-11 by Lucy Parakhina. Thanks to Seb, Meave, Hobiennale team &amp; cake makers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1576033486162-TNMILOKLV2T1L5SUR7TP/Sarah+Poulgrain%2C+Desire+Lines+walking+tour_Photo+Llewellyn+Millhouse_1.jpg</image:loc>
      <image:title>A Set of New Skills: Desire Lines (2019)</image:title>
      <image:caption>This iteration of a A Set of New Skills was adapted for Hobiennale. Seb and Meave from Desire Lines (Sydney) learnt how to weld and made a steel table. The table and work area was used one stop of the Desire Lines walking tour, and later in the festival used as infrastructure for the Desire Lines cake parade. Photos 1 and 2 by Llewellyn Millhouse, photos 3-11 by Lucy Parakhina. Thanks to Seb, Meave, Hobiennale team &amp; cake makers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1576033419825-06HNDVRXORWAFGUM7ABX/Desire+Lines+with+Sarah+Poulgrain_Photo+Lucy+Parakhina_1+%281%29.jpg</image:loc>
      <image:title>A Set of New Skills: Desire Lines (2019)</image:title>
      <image:caption>This iteration of a A Set of New Skills was adapted for Hobiennale. Seb and Meave from Desire Lines (Sydney) learnt how to weld and made a steel table. The table and work area was used one stop of the Desire Lines walking tour, and later in the festival used as infrastructure for the Desire Lines cake parade. Photos 1 and 2 by Llewellyn Millhouse, photos 3-11 by Lucy Parakhina. Thanks to Seb, Meave, Hobiennale team &amp; cake makers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1576033405046-EHL9LVA9IDFT4308Y63E/Desire+Lines+with+Sarah+Poulgrain_Photo+Lucy+Parakhina_3+%282%29.jpg</image:loc>
      <image:title>A Set of New Skills: Desire Lines (2019)</image:title>
      <image:caption>This iteration of a A Set of New Skills was adapted for Hobiennale. Seb and Meave from Desire Lines (Sydney) learnt how to weld and made a steel table. The table and work area was used one stop of the Desire Lines walking tour, and later in the festival used as infrastructure for the Desire Lines cake parade. Photos 1 and 2 by Llewellyn Millhouse, photos 3-11 by Lucy Parakhina. Thanks to Seb, Meave, Hobiennale team &amp; cake makers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1576033432180-6WKX30DQJF3HYOA5EKXY/Desire+Lines+with+Sarah+Poulgrain_Photo+Lucy+Parakhina_5+%281%29.jpg</image:loc>
      <image:title>A Set of New Skills: Desire Lines (2019)</image:title>
      <image:caption>This iteration of a A Set of New Skills was adapted for Hobiennale. Seb and Meave from Desire Lines (Sydney) learnt how to weld and made a steel table. The table and work area was used one stop of the Desire Lines walking tour, and later in the festival used as infrastructure for the Desire Lines cake parade. Photos 1 and 2 by Llewellyn Millhouse, photos 3-11 by Lucy Parakhina. Thanks to Seb, Meave, Hobiennale team &amp; cake makers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1576033508130-BQHBPCYWA3G7AVZ1UMUK/DSC_6645-+c+Lucy+Parakhina.jpg</image:loc>
      <image:title>A Set of New Skills: Desire Lines (2019)</image:title>
      <image:caption>This iteration of a A Set of New Skills was adapted for Hobiennale. Seb and Meave from Desire Lines (Sydney) learnt how to weld and made a steel table. The table and work area was used one stop of the Desire Lines walking tour, and later in the festival used as infrastructure for the Desire Lines cake parade. Photos 1 and 2 by Llewellyn Millhouse, photos 3-11 by Lucy Parakhina. Thanks to Seb, Meave, Hobiennale team &amp; cake makers.</image:caption>
    </image:image>
    <image:image>
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      <image:title>A Set of New Skills: Desire Lines (2019)</image:title>
      <image:caption>This iteration of a A Set of New Skills was adapted for Hobiennale. Seb and Meave from Desire Lines (Sydney) learnt how to weld and made a steel table. The table and work area was used one stop of the Desire Lines walking tour, and later in the festival used as infrastructure for the Desire Lines cake parade. Photos 1 and 2 by Llewellyn Millhouse, photos 3-11 by Lucy Parakhina. Thanks to Seb, Meave, Hobiennale team &amp; cake makers.</image:caption>
    </image:image>
    <image:image>
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      <image:title>A Set of New Skills: Desire Lines (2019)</image:title>
      <image:caption>This iteration of a A Set of New Skills was adapted for Hobiennale. Seb and Meave from Desire Lines (Sydney) learnt how to weld and made a steel table. The table and work area was used one stop of the Desire Lines walking tour, and later in the festival used as infrastructure for the Desire Lines cake parade. Photos 1 and 2 by Llewellyn Millhouse, photos 3-11 by Lucy Parakhina. Thanks to Seb, Meave, Hobiennale team &amp; cake makers.</image:caption>
    </image:image>
    <image:image>
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      <image:title>A Set of New Skills: Desire Lines (2019)</image:title>
      <image:caption>This iteration of a A Set of New Skills was adapted for Hobiennale. Seb and Meave from Desire Lines (Sydney) learnt how to weld and made a steel table. The table and work area was used one stop of the Desire Lines walking tour, and later in the festival used as infrastructure for the Desire Lines cake parade. Photos 1 and 2 by Llewellyn Millhouse, photos 3-11 by Lucy Parakhina. Thanks to Seb, Meave, Hobiennale team &amp; cake makers.</image:caption>
    </image:image>
    <image:image>
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      <image:title>A Set of New Skills: Desire Lines (2019)</image:title>
      <image:caption>This iteration of a A Set of New Skills was adapted for Hobiennale. Seb and Meave from Desire Lines (Sydney) learnt how to weld and made a steel table. The table and work area was used one stop of the Desire Lines walking tour, and later in the festival used as infrastructure for the Desire Lines cake parade. Photos 1 and 2 by Llewellyn Millhouse, photos 3-11 by Lucy Parakhina. Thanks to Seb, Meave, Hobiennale team &amp; cake makers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1576033786082-952CLHP9FJS6FCLDLJY2/DSC_6500-+c+Lucy+Parakhina.jpg</image:loc>
      <image:title>A Set of New Skills: Desire Lines (2019)</image:title>
      <image:caption>This iteration of a A Set of New Skills was adapted for Hobiennale. Seb and Meave from Desire Lines (Sydney) learnt how to weld and made a steel table. The table and work area was used one stop of the Desire Lines walking tour, and later in the festival used as infrastructure for the Desire Lines cake parade. Photos 1 and 2 by Llewellyn Millhouse, photos 3-11 by Lucy Parakhina. Thanks to Seb, Meave, Hobiennale team &amp; cake makers.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/a-set-of-new-skills-hat-making-2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-01-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1579065254541-881YQYUP04ZT2ZTHONK7/1.jpg</image:loc>
      <image:title>A Set of New Skills: Hat Making (2019)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1579065254541-881YQYUP04ZT2ZTHONK7/1.jpg</image:loc>
      <image:title>A Set of New Skills: Hat Making (2019)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1579065638913-B68PWKR8MTJ1R9SL61EC/1.jpg</image:loc>
      <image:title>A Set of New Skills: Hat Making (2019)</image:title>
      <image:caption>The hat making workshops ran over a three day period with around 20 people making broad brim hats. Materials, equipment and patterns were provided at Boxcopy. The closing of the exhibition took the form of a picnic in the park.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1579069277833-CJ3F50BA2SDOAA8UY10J/hat1.jpg</image:loc>
      <image:title>A Set of New Skills: Hat Making (2019)</image:title>
      <image:caption>The hat making workshops ran over a three day period with around 20 people making broad brim hats. Materials, equipment and patterns were provided at Boxcopy. The closing of the exhibition took the form of a picnic in the park.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1579068878684-5446XJX64BLESPDK6B92/hat3.jpg</image:loc>
      <image:title>A Set of New Skills: Hat Making (2019)</image:title>
      <image:caption>The hat making workshops ran over a three day period with around 20 people making broad brim hats. Materials, equipment and patterns were provided at Boxcopy. The closing of the exhibition took the form of a picnic in the park.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/a-structure-to-fold-and-hang-2020</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1662353509656-W2HUW6NBSDJ1CUPBRQHZ/image-asset.jpeg</image:loc>
      <image:title>A structure to fold and hang (2020)</image:title>
      <image:caption>As a part of my practice I participate in skill-sharing and DIY forms of knowledge. I learn how to do something, document the process, and facilitate other people learning the same skill. I’m interested in the potential for skill-sharing methodologies to form respectful relationships and create less-hierarchical spaces for learning. The self-imposed parameters for this work were: that the object would be useful to the IMA both during and after the Making Art Work project, that some new skills would be learnt in the process of making the object, and that the process of making the work would be enjoyable. Details available at https://makingart.work/projects/sarah-poulgrain Comissioned by the Institute of Modern Art as part of Making Art Work. Photograph by Llewellyn Millhouse. Video documentation of work in progress by Charlie Hillhouse. Structure holding works by Ana Paula Estrada, Jenna Lee, Chantal Fraser, Hannah Gartside and Eggvein.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1662353509656-W2HUW6NBSDJ1CUPBRQHZ/image-asset.jpeg</image:loc>
      <image:title>A structure to fold and hang (2020)</image:title>
      <image:caption>As a part of my practice I participate in skill-sharing and DIY forms of knowledge. I learn how to do something, document the process, and facilitate other people learning the same skill. I’m interested in the potential for skill-sharing methodologies to form respectful relationships and create less-hierarchical spaces for learning. The self-imposed parameters for this work were: that the object would be useful to the IMA both during and after the Making Art Work project, that some new skills would be learnt in the process of making the object, and that the process of making the work would be enjoyable. Details available at https://makingart.work/projects/sarah-poulgrain Comissioned by the Institute of Modern Art as part of Making Art Work. Photograph by Llewellyn Millhouse. Video documentation of work in progress by Charlie Hillhouse. Structure holding works by Ana Paula Estrada, Jenna Lee, Chantal Fraser, Hannah Gartside and Eggvein.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1612579878322-6KDYQIBGAS8OL0ZE69KE/image-asset.jpeg</image:loc>
      <image:title>A structure to fold and hang (2020)</image:title>
      <image:caption>As a part of my practice I participate in skill-sharing and DIY forms of knowledge. I learn how to do something, document the process, and facilitate other people learning the same skill. I’m interested in the potential for skill-sharing methodologies to form respectful relationships and create less-hierarchical spaces for learning. The self-imposed parameters for this work were: that the object would be useful to the IMA both during and after the Making Art Work project, that some new skills would be learnt in the process of making the object, and that the process of making the work would be enjoyable. Details available at https://makingart.work/projects/sarah-poulgrain Comissioned by the Institute of Modern Art as part of Making Art Work. Photograph by Llewellyn Millhouse. Video documentation of work in progress by Charlie Hillhouse. Structure holding works by Ana Paula Estrada, Jenna Lee, Chantal Fraser, Hannah Gartside and Eggvein.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1612579177813-P8PU9BEVIG3I7Z2DJKPK/image-asset.jpeg</image:loc>
      <image:title>A structure to fold and hang (2020)</image:title>
      <image:caption>As a part of my practice I participate in skill-sharing and DIY forms of knowledge. I learn how to do something, document the process, and facilitate other people learning the same skill. I’m interested in the potential for skill-sharing methodologies to form respectful relationships and create less-hierarchical spaces for learning. The objects are simple designs, often with functional qualities: a bench, a table, a chair, clothes and hats, etc. Skills are initially acquired through either one-on-one lessons when possible or through online research and tutorials. The self-imposed parameters for this work were: that the object would be useful to the IMA both during and after the Making Art Work project, that some new skills would be learnt in the process of making the object, and that the process of making the work would be enjoyable. Details available at https://makingart.work/projects/sarah-poulgrain Comissioned by the Institute of Modern Art as part of Making Art Work. Photograph by Llewellyn Millhouse. Structure holding works by Ana Paula Estrada, Jenna Lee, Chantal Fraser, Hannah Gartside and Eggvein.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1612579766955-AJQ56SMQVVGGS2EB4BYX/image-asset.jpeg</image:loc>
      <image:title>A structure to fold and hang (2020)</image:title>
      <image:caption>Comissioned by the Institute of Modern Art as part of Making Art Work. Photograph by Llewellyn Millhouse. Video documentation of work in progress by Charlie Hillhouse. Structure holding works by Ana Paula Estrada, Jenna Lee, Chantal Fraser, Hannah Gartside and Eggvein.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1612580194680-4SVNO6IO007C05QYZZEY/image-asset.jpeg</image:loc>
      <image:title>A structure to fold and hang (2020)</image:title>
      <image:caption>Comissioned by the Institute of Modern Art as part of Making Art Work. Photograph by Llewellyn Millhouse. Video documentation of work in progress by Charlie Hillhouse. Structure holding works by Ana Paula Estrada, Jenna Lee, Chantal Fraser, Hannah Gartside and Eggvein.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/aluminium-casting</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1633845037013-H2DRZTC76TEGEM7LMNMO/Metro-Arts_Mechanics-of-Adapation_Opening-Documentation_LR-14.jpg</image:loc>
      <image:title>Aluminium casting (2021)</image:title>
      <image:caption>A Set of New Skills: Aluminium Casting was made as part of Metro Art’s project, The Mechanics of Adaption. Over a period of 8 weeks, 5 artists worked with students from the Sycamore School &amp; Traction. These workshops used materials from decommissioned CityCycle bikes as a starting point. During the workshops we experimented with wax and pinkysil casts, as well as clay, plaster and tyre imprints. Aluminium from the handlebars and seat posts were melted down and cast as support brackets. Aluminium was also cast on top of the plaster tyre imprints. The DIY forge was made using a hairdryer and coals with help from Bruce Grillmeier via zoom. Documentation by Charlie Hillhouse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1633845037013-H2DRZTC76TEGEM7LMNMO/Metro-Arts_Mechanics-of-Adapation_Opening-Documentation_LR-14.jpg</image:loc>
      <image:title>Aluminium casting (2021)</image:title>
      <image:caption>A Set of New Skills: Aluminium Casting was made as part of Metro Art’s project, The Mechanics of Adaption. Over a period of 8 weeks, 5 artists worked with students from the Sycamore School &amp; Traction. These workshops used materials from decommissioned CityCycle bikes as a starting point. During the workshops we experimented with wax and pinkysil casts, as well as clay, plaster and tyre imprints. Aluminium from the handlebars and seat posts were melted down and cast as support brackets. Aluminium was also cast on top of the plaster tyre imprints. The DIY forge was made using a hairdryer and coals with help from Bruce Grillmeier via zoom. Documentation by Charlie Hillhouse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1633852542439-1J68GESWQ1I2932I9QB6/Metro-Arts_Mechanics-of-Adapation_Opening-Documentation_LR-24.jpg</image:loc>
      <image:title>Aluminium casting (2021)</image:title>
      <image:caption>A Set of New Skills: Aluminium Casting was made as part of Metro Art’s project, The Mechanics of Adaption. Over a period of 8 weeks, 5 artists worked with students from the Sycamore School &amp; Traction. These workshops used materials from decommissioned CityCycle bikes as a starting point. During the workshops we experimented with wax and pinkysil casts, as well as clay, plaster and tyre imprints. Aluminium from the handlebars and seat posts were melted down and cast as support brackets. Aluminium was also cast on top of the plaster tyre imprints. The DIY forge was made using a hairdryer and coals with help from Bruce Grillmeier via zoom. Documentation by Charlie Hillhouse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1633845070139-2HCUY0E3JJHC669J2SRT/Metro-Arts_Mechanics-of-Adapation_Opening-Documentation_LR-26.jpg</image:loc>
      <image:title>Aluminium casting (2021)</image:title>
      <image:caption>A Set of New Skills: Aluminium Casting was made as part of Metro Art’s project, The Mechanics of Adaption. Over a period of 8 weeks, 5 artists worked with students from the Sycamore School &amp; Traction. These workshops used materials from decommissioned CityCycle bikes as a starting point. During the workshops we experimented with wax and pinkysil casts, as well as clay, plaster and tyre imprints. Aluminium from the handlebars and seat posts were melted down and cast as support brackets. Aluminium was also cast on top of the plaster tyre imprints. The DIY forge was made using a hairdryer and coals with help from Bruce Grillmeier via zoom. Documentation by Charlie Hillhouse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1633845099925-WLXNK6GKJN5KE9156WHS/Metro-Arts_Mechanics-of-Adapation_Opening-Documentation_LR-32.jpg</image:loc>
      <image:title>Aluminium casting (2021)</image:title>
      <image:caption>A Set of New Skills: Aluminium Casting was made as part of Metro Art’s project, The Mechanics of Adaption. Over a period of 8 weeks, 5 artists worked with students from the Sycamore School &amp; Traction. These workshops used materials from decommissioned CityCycle bikes as a starting point. During the workshops we experimented with wax and pinkysil casts, as well as clay, plaster and tyre imprints. Aluminium from the handlebars and seat posts were melted down and cast as support brackets. Aluminium was also cast on top of the plaster tyre imprints. The DIY forge was made using a hairdryer and coals with help from Bruce Grillmeier via zoom. Documentation by Charlie Hillhouse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1633845054211-GTWIOAF5N7JCENCXVIEW/Metro-Arts_Mechanics-of-Adapation_Opening-Documentation_LR-19.jpg</image:loc>
      <image:title>Aluminium casting (2021)</image:title>
      <image:caption>A Set of New Skills: Aluminium Casting was made as part of Metro Art’s project, The Mechanics of Adaption. Over a period of 8 weeks, 5 artists worked with students from the Sycamore School &amp; Traction. These workshops used materials from decommissioned CityCycle bikes as a starting point. During the workshops we experimented with wax and pinkysil casts, as well as clay, plaster and tyre imprints. Aluminium from the handlebars and seat posts were melted down and cast as support brackets. Aluminium was also cast on top of the plaster tyre imprints. The DIY forge was made using a hairdryer and coals with help from Bruce Grillmeier via zoom. Documentation by Charlie Hillhouse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1633859947276-IOAM0RRR3T9X17CVWR0G/image-asset.jpeg</image:loc>
      <image:title>Aluminium casting (2021)</image:title>
      <image:caption>A Set of New Skills: Aluminium Casting was made as part of Metro Art’s project, The Mechanics of Adaption. Over a period of 8 weeks, 5 artists worked with students from the Sycamore School &amp; Traction. These workshops used materials from decommissioned CityCycle bikes as a starting point. During the workshops we experimented with wax and pinkysil casts, as well as clay, plaster and tyre imprints. Aluminium from the handlebars and seat posts were melted down and cast as support brackets. Aluminium was also cast on top of the plaster tyre imprints. The DIY forge was made using a hairdryer and coals with help from Bruce Grillmeier via zoom. Documentation by Charlie Hillhouse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1633845246504-VSSR5CG9OBGQND197DGN/Metro-Arts_Mechanics-of-Adapation_Opening-Documentation_LR-29.jpg</image:loc>
      <image:title>Aluminium casting (2021)</image:title>
      <image:caption>A Set of New Skills: Aluminium Casting was made as part of Metro Art’s project, The Mechanics of Adaption. Over a period of 8 weeks, 5 artists worked with students from the Sycamore School &amp; Traction. These workshops used materials from decommissioned CityCycle bikes as a starting point. During the workshops we experimented with wax and pinkysil casts, as well as clay, plaster and tyre imprints. Aluminium from the handlebars and seat posts were melted down and cast as support brackets. Aluminium was also cast on top of the plaster tyre imprints. The DIY forge was made using a hairdryer and coals with help from Bruce Grillmeier via zoom. Documentation by Charlie Hillhouse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1633845111514-ZVB6AEJQJ3ATKR8SE0XM/Metro-Arts-Mechanics-09-08-21_LR-47.jpg</image:loc>
      <image:title>Aluminium casting (2021)</image:title>
      <image:caption>A Set of New Skills: Aluminium Casting was made as part of Metro Art’s project, The Mechanics of Adaption. Over a period of 8 weeks, 5 artists worked with students from the Sycamore School &amp; Traction. These workshops used materials from decommissioned CityCycle bikes as a starting point. During the workshops we experimented with wax and pinkysil casts, as well as clay, plaster and tyre imprints. Aluminium from the handlebars and seat posts were melted down and cast as support brackets. Aluminium was also cast on top of the plaster tyre imprints. The DIY forge was made using a hairdryer and coals with help from Bruce Grillmeier via zoom. Documentation by Charlie Hillhouse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1633845099430-SS0W5B8W3UN900ZX0URX/Metro-Arts-Mechanics-09-08-21_LR-45.jpg</image:loc>
      <image:title>Aluminium casting (2021)</image:title>
      <image:caption>A Set of New Skills: Aluminium Casting was made as part of Metro Art’s project, The Mechanics of Adaption. Over a period of 8 weeks, 5 artists worked with students from the Sycamore School &amp; Traction. These workshops used materials from decommissioned CityCycle bikes as a starting point. During the workshops we experimented with wax and pinkysil casts, as well as clay, plaster and tyre imprints. Aluminium from the handlebars and seat posts were melted down and cast as support brackets. Aluminium was also cast on top of the plaster tyre imprints. The DIY forge was made using a hairdryer and coals with help from Bruce Grillmeier via zoom. Documentation by Charlie Hillhouse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1633845113260-59NG9J21TWMIPSV5LHMH/Metro-Arts-Mechanics-09-08-21_LR-76.jpg</image:loc>
      <image:title>Aluminium casting (2021)</image:title>
      <image:caption>A Set of New Skills: Aluminium Casting was made as part of Metro Art’s project, The Mechanics of Adaption. Over a period of 8 weeks, 5 artists worked with students from the Sycamore School &amp; Traction. These workshops used materials from decommissioned CityCycle bikes as a starting point. During the workshops we experimented with wax and pinkysil casts, as well as clay, plaster and tyre imprints. Aluminium from the handlebars and seat posts were melted down and cast as support brackets. Aluminium was also cast on top of the plaster tyre imprints. The DIY forge was made using a hairdryer and coals with help from Bruce Grillmeier via zoom. Documentation by Charlie Hillhouse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/542b5d04e4b0422d3fc292ec/61627ea9834694462eb52e2b/616281791b92d50b0f5d432c/1652323230659/</image:loc>
      <image:title>Aluminium casting (2021)</image:title>
      <image:caption>A Set of New Skills: Aluminium Casting was made as part of Metro Art’s project, The Mechanics of Adaption. Over a period of 8 weeks, 5 artists worked with students from the Sycamore School &amp; Traction. These workshops used materials from decommissioned CityCycle bikes as a starting point. During the workshops we experimented with wax and pinkysil casts, as well as clay, plaster and tyre imprints. Aluminium from the handlebars and seat posts were melted down and cast as support brackets. Aluminium was also cast on top of the plaster tyre imprints. The DIY forge was made using a hairdryer and coals with help from Bruce Grillmeier via zoom. Documentation by Charlie Hillhouse</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/confluence-2022</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-05-12</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/542b5d04e4b0422d3fc292ec/t/627c7373be6d452d7cc2df9a/1652323187213/</image:loc>
      <image:title>Confluence (2022)</image:title>
      <image:caption>Confluence is a collaboration between Sarah Poulgrain and Llewellyn Millhouse, the first in a series of projects at Wreckers Upstairs. www.wreckersupstairs.org Documentation by Charlie Hillhouse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/542b5d04e4b0422d3fc292ec/62767e65604cc565048ec374/62767e80ee8f1a748cee8a48/1652323187213/</image:loc>
      <image:title>Confluence (2022)</image:title>
      <image:caption>Confluence is a collaboration between Sarah Poulgrain and Llewellyn Millhouse, the first in a series of projects at Wreckers Upstairs. www.wreckersupstairs.org Documentation by Charlie Hillhouse</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/wreckers-walkthrough</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-06-23</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/542b5d04e4b0422d3fc292ec/t/62b4485cb8e9434195fe4f3d/1655982171998/</image:loc>
      <image:title>Wreckers walkthrough (2022)</image:title>
      <image:caption>Walkthrough of Wreckers Artspace, Woolloongabba, for West Space Offsite ‘Favourable Conditions’. https://offsite.westspace.org.au/collection/imaginative-lives/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/542b5d04e4b0422d3fc292ec/62b4461de151411755acc1a9/62b44715bde7692f9f161b48/1655982171998/</image:loc>
      <image:title>Wreckers walkthrough (2022)</image:title>
      <image:caption>Walkthrough of Wreckers Artspace, Woolloongabba, for West Space Offsite ‘Favourable Conditions’. https://offsite.westspace.org.au/collection/imaginative-lives/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1655981855099-DWEKMECDL8C9S96AQM04/image-asset.octet-stream</image:loc>
      <image:title>Wreckers walkthrough (2022)</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/dream-boat-sunlight-leadlight-2022</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2025-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1660543510702-J6X6SI4ZNS0ZWW6LPSCR/Outerspace+20220726+HR-1.jpg</image:loc>
      <image:title>Dream boat: sunlight &amp; leadlight (2022)</image:title>
      <image:caption>Collaborative exhibition with Dana Lawrie. First in a series of iterative projects that – through collaborative practices – aim to build a houseboat. This extended project will be brought to bear using a skill-sharing methodology, engaging with boat-builders, lead-light-makers, contemporary artists, ecologists, and people currently living on houseboats. Dream boat will serve as both an art space and a space for Sarah to live. The aim of this project is to create a space able to be a permanent ARI fixture for Brisbane experimental art, untying the contingency of art spaces on real estate rental markets. In this iteration of Dream boat, Dana and I produced a large glass leadlight feature for the houseboat. During the first half of the day, the solar panel &amp; power station charged in the courtyard. During the second half of the day, the power station was wheeled inside and powered an LED light shining through the structure. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Documentation by Louis Lim</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1660543510702-J6X6SI4ZNS0ZWW6LPSCR/Outerspace+20220726+HR-1.jpg</image:loc>
      <image:title>Dream boat: sunlight &amp; leadlight (2022)</image:title>
      <image:caption>Collaborative exhibition with Dana Lawrie. First in a series of iterative projects that – through collaborative practices – aim to build a houseboat. This extended project will be brought to bear using a skill-sharing methodology, engaging with boat-builders, lead-light-makers, contemporary artists, ecologists, and people currently living on houseboats. Dream boat will serve as both an art space and a space for Sarah to live. The aim of this project is to create a space able to be a permanent ARI fixture for Brisbane experimental art, untying the contingency of art spaces on real estate rental markets. In this iteration of Dream boat, Dana and I produced a large glass leadlight feature for the houseboat. During the first half of the day, the solar panel &amp; power station charged in the courtyard. During the second half of the day, the power station was wheeled inside and powered an LED light shining through the structure. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Documentation by Louis Lim</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1660543896598-HP8ACQPJ0S7CI1DOH2XP/Outerspace+20220726+HR-3.jpg</image:loc>
      <image:title>Dream boat: sunlight &amp; leadlight (2022)</image:title>
      <image:caption>Collaborative exhibition with Dana Lawrie This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Documentation by Louis Lim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1660544506243-9O740MFAYUUU97FTH9QE/Outerspace+20220726+HR-40.jpg</image:loc>
      <image:title>Dream boat: sunlight &amp; leadlight (2022)</image:title>
      <image:caption>Collaborative exhibition with Dana Lawrie This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Documentation by Louis Lim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1660544552163-V1E2UPZUCUE1NDHMK4I9/Outerspace+20220726+HR-35.jpg</image:loc>
      <image:title>Dream boat: sunlight &amp; leadlight (2022)</image:title>
      <image:caption>Collaborative exhibition with Dana Lawrie This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Documentation by Louis Lim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1660606321536-9J3CMK083NKKZ5KOIWM0/Outerspace+20220726+HR-59.jpg</image:loc>
      <image:title>Dream boat: sunlight &amp; leadlight (2022)</image:title>
      <image:caption>Collaborative exhibition with Dana Lawrie This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Documentation by Louis Lim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1660606315047-T77JBP5GBDIJGAY2678M/Outerspace+20220726+HR-60.jpg</image:loc>
      <image:title>Dream boat: sunlight &amp; leadlight (2022)</image:title>
      <image:caption>Collaborative exhibition with Dana Lawrie This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Documentation by Louis Lim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1660606442999-ZCFFO1QEOC9JSR2ZY15F/Outerspace+20220726+HR-28.jpg</image:loc>
      <image:title>Dream boat: sunlight &amp; leadlight (2022)</image:title>
      <image:caption>Collaborative exhibition with Dana Lawrie This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Documentation by Louis Lim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1660606362318-07RKUSSGLQCA7WWFCCF2/Outerspace+20220726+HR-45.jpg</image:loc>
      <image:title>Dream boat: sunlight &amp; leadlight (2022)</image:title>
      <image:caption>Collaborative exhibition with Dana Lawrie This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Documentation by Louis Lim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1660606387387-D18RABHF8DKNZGPZ2SAH/Outerspace+20220726+HR-43.jpg</image:loc>
      <image:title>Dream boat: sunlight &amp; leadlight (2022)</image:title>
      <image:caption>Collaborative exhibition with Dana Lawrie This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Documentation by Louis Lim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1660606417293-W35B2G26B7WR6IH2LHFK/Outerspace+20220726+HR-34.jpg</image:loc>
      <image:title>Dream boat: sunlight &amp; leadlight (2022)</image:title>
      <image:caption>Collaborative exhibition with Dana Lawrie This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Documentation by Louis Lim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1660606473704-4UVFCOSGRXGXNX90H062/Outerspace+20220726+HR-23.jpg</image:loc>
      <image:title>Dream boat: sunlight &amp; leadlight (2022)</image:title>
      <image:caption>Collaborative exhibition with Dana Lawrie First in a series of iterative projects that – through collaborative practices – aim to build a houseboat. This extended project will be brought to bear using a skill-sharing methodology, engaging with boat-builders, lead-light-makers, contemporary artists, ecologists, and people currently living on houseboats. Dream boat will serve as both an art space and a space for Sarah to live. The aim of this project is to create a space able to be a permanent ARI fixture for Brisbane experimental art, untying the contingency of art spaces on real estate rental markets. In this iteration of Dream boat, Dana and I produced a large glass leadlight feature for the houseboat. During the first half of the day, the solar panel &amp; power station charged in the courtyard. During the second half of the day, the power station was wheeled inside and powered an LED light shining through the structure. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Documentation by Louis Lim</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1660618835358-07S172GO2MX5I7IIYR13/Outerspace+20220726+HR-22.jpg</image:loc>
      <image:title>Dream boat: sunlight &amp; leadlight (2022)</image:title>
      <image:caption>Collaborative exhibition with Dana Lawrie First in a series of iterative projects that – through collaborative practices – aim to build a houseboat. This extended project will be brought to bear using a skill-sharing methodology, engaging with boat-builders, lead-light-makers, contemporary artists, ecologists, and people currently living on houseboats. Dream boat will serve as both an art space and a space for Sarah to live. The aim of this project is to create a space able to be a permanent ARI fixture for Brisbane experimental art, untying the contingency of art spaces on real estate rental markets. In this iteration of Dream boat, Dana and I produced a large glass leadlight feature for the houseboat. During the first half of the day, the solar panel &amp; power station charged in the courtyard. During the second half of the day, the power station was wheeled inside and powered an LED light shining through the structure. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Documentation by Louis Lim</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/houseboat-primavera-2023</loc>
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    <lastmod>2024-06-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1698457498834-YSNZBW3RVZ8Z9XKR06PR/image-asset.jpeg</image:loc>
      <image:title>Houseboat: Primavera (2023)</image:title>
      <image:caption>Primavera 2023 at Museum of Contemporary Art, curated by Talia Smith. Houseboat paper pulp walls, blackwater workshop video with Alrey Batol, handmade rope with Leen Rieth, ceramic fixings with Georgia Morgan, bathroom tiles with Tyza Hart and Bree Meyers, film by Charlie Hillhouse, film script by Madeleine Stack, houseboat design by Muffy Hewitt. Documentation by Zan Wimberly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1698457498834-YSNZBW3RVZ8Z9XKR06PR/image-asset.jpeg</image:loc>
      <image:title>Houseboat: Primavera (2023)</image:title>
      <image:caption>Primavera 2023 at Museum of Contemporary Art, curated by Talia Smith. Houseboat paper pulp walls, blackwater workshop video with Alrey Batol, handmade rope with Leen Rieth, ceramic fixings with Georgia Morgan, bathroom tiles with Tyza Hart and Bree Meyers, film by Charlie Hillhouse, film script by Madeleine Stack, houseboat design by Muffy Hewitt. Documentation by Zan Wimberly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1698457945659-TTJI7APLTXTF22H4Q1N5/MCAPrimavera2023FullSuitephotoZanWimberley-057.jpg</image:loc>
      <image:title>Houseboat: Primavera (2023)</image:title>
      <image:caption>Primavera 2023 at Museum of Contemporary Art, curated by Talia Smith. Houseboat paper pulp walls, blackwater workshop video with Alrey Batol, handmade rope with Leen Rieth, ceramic fixings with Georgia Morgan, bathroom tiles with Tyza Hart and Bree Meyers, film by Charlie Hillhouse, film script by Madeleine Stack, houseboat design by Muffy Hewitt. Documentation by Zan Wimberly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1698457776525-9IXBYZYJ98JRJZCHNKF5/MCAPrimavera2023FullSuitephotoZanWimberley-003.jpg</image:loc>
      <image:title>Houseboat: Primavera (2023)</image:title>
      <image:caption>Primavera 2023 at Museum of Contemporary Art, curated by Talia Smith. Houseboat paper pulp walls, blackwater workshop video with Alrey Batol, handmade rope with Leen Rieth, ceramic fixings with Georgia Morgan, bathroom tiles with Tyza Hart and Bree Meyers, film by Charlie Hillhouse, film script by Madeleine Stack, houseboat design by Muffy Hewitt. Documentation by Zan Wimberly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1698457850047-OLFCDTWP2G1SQBIMNBX3/MCAPrimavera2023FullSuitephotoZanWimberley-001.jpg</image:loc>
      <image:title>Houseboat: Primavera (2023)</image:title>
      <image:caption>Primavera 2023 at Museum of Contemporary Art, curated by Talia Smith. Houseboat paper pulp walls, blackwater workshop video with Alrey Batol, handmade rope with Leen Rieth, ceramic fixings with Georgia Morgan, bathroom tiles with Tyza Hart and Bree Meyers, film by Charlie Hillhouse, film script by Madeleine Stack, houseboat design by Muffy Hewitt. Documentation by Zan Wimberly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1698458056184-XMUOSBME0XIFY4LXZ7WY/MCAPrimavera2023FullSuitephotoZanWimberley-007.jpg</image:loc>
      <image:title>Houseboat: Primavera (2023)</image:title>
      <image:caption>Primavera 2023 at Museum of Contemporary Art, curated by Talia Smith. Houseboat paper pulp walls, blackwater workshop video with Alrey Batol, handmade rope with Leen Rieth, ceramic fixings with Georgia Morgan, bathroom tiles with Tyza Hart and Bree Meyers, film by Charlie Hillhouse, film script by Madeleine Stack, houseboat design by Muffy Hewitt. Documentation by Zan Wimberly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1698458062492-7GYKS8Y9ZSPGXO7T3SF8/MCAPrimavera2023FullSuitephotoZanWimberley-035.jpg</image:loc>
      <image:title>Houseboat: Primavera (2023)</image:title>
      <image:caption>Primavera 2023 at Museum of Contemporary Art, curated by Talia Smith. Houseboat paper pulp walls, blackwater workshop video with Alrey Batol, handmade rope with Leen Rieth, ceramic fixings with Georgia Morgan, bathroom tiles with Tyza Hart and Bree Meyers, film by Charlie Hillhouse, film script by Madeleine Stack, houseboat design by Muffy Hewitt. Documentation by Zan Wimberly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1698458075021-7N6K17VDCL4IV7NPIQRC/MCAPrimavera2023FullSuitephotoZanWimberley-041.jpg</image:loc>
      <image:title>Houseboat: Primavera (2023)</image:title>
      <image:caption>Primavera 2023 at Museum of Contemporary Art, curated by Talia Smith. Houseboat paper pulp walls, blackwater workshop video with Alrey Batol, handmade rope with Leen Rieth, ceramic fixings with Georgia Morgan, bathroom tiles with Tyza Hart and Bree Meyers, film by Charlie Hillhouse, film script by Madeleine Stack, houseboat design by Muffy Hewitt. Documentation by Zan Wimberly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1698458162951-YZNOT9KWZLSI2G6RP136/MCAPrimavera2023FullSuitephotoZanWimberley-059.jpg</image:loc>
      <image:title>Houseboat: Primavera (2023)</image:title>
      <image:caption>Primavera 2023 at Museum of Contemporary Art, curated by Talia Smith. Houseboat paper pulp walls, blackwater workshop video with Alrey Batol, handmade rope with Leen Rieth, ceramic fixings with Georgia Morgan, bathroom tiles with Tyza Hart and Bree Meyers, film by Charlie Hillhouse, film script by Madeleine Stack, houseboat design by Muffy Hewitt. Documentation by Zan Wimberly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1698458948611-EKE2DUSS2AF8VREHRLSO/MCAPrimavera2023FullSuitephotoZanWimberley-040.jpg</image:loc>
      <image:title>Houseboat: Primavera (2023)</image:title>
      <image:caption>Primavera 2023 at Museum of Contemporary Art, curated by Talia Smith. Houseboat paper pulp walls, blackwater workshop video with Alrey Batol, handmade rope with Leen Rieth, ceramic fixings with Georgia Morgan, bathroom tiles with Tyza Hart and Bree Meyers, film by Charlie Hillhouse, film script by Madeleine Stack, houseboat design by Muffy Hewitt. Documentation by Zan Wimberly.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Houseboat: Primavera (2023)</image:title>
      <image:caption>Alrey Batol Blackwater workshop, Anya Swan greywater workshop. Edited video included on paper pulp wall.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.sarahpoulgrain.com/houseboat-ima-platform-2024</loc>
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    <lastmod>2024-12-08</lastmod>
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      <image:title>Houseboat: IMA Platform (2024)</image:title>
      <image:caption>Houseboat installation as part of Platform at IMA. Houseboat has two channel video by Charlie Hillhouse, rocket stove and alcohol burners by Alrey Batol and handmade rugs by Leen Rieth. Installation includes floodline and acrylic on yellow tongue painting. Documentation by Carl Warner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1718527553679-SOYQ7VA6QFZEBZYOBDE6/image-asset.jpeg</image:loc>
      <image:title>Houseboat: IMA Platform (2024)</image:title>
      <image:caption>Houseboat installation as part of Platform at IMA. Houseboat has two channel video by Charlie Hillhouse, rocket stove and alcohol burners by Alrey Batol and handmade rugs by Leen Rieth. Installation includes floodline and acrylic on yellow tongue painting. Documentation by Carl Warner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1718527823696-LIWCLMW5LFSIK7R6V6KA/Paltform_46.jpg</image:loc>
      <image:title>Houseboat: IMA Platform (2024)</image:title>
      <image:caption>Houseboat installation as part of Platform at IMA. Houseboat has two channel video by Charlie Hillhouse, rocket stove and alcohol burners by Alrey Batol and handmade rugs by Leen Rieth. Installation includes floodline and acrylic on yellow tongue painting. Documentation by Carl Warner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1718528072270-LCSXO9W0GFTW39SL1QGN/IMA_Platform_installationview_20240509_jruckli_055.jpg</image:loc>
      <image:title>Houseboat: IMA Platform (2024)</image:title>
      <image:caption>Houseboat installation as part of Platform at IMA. Houseboat has two channel video by Charlie Hillhouse, rocket stove and alcohol burners by Alrey Batol and handmade rugs by Leen Rieth. Installation includes floodline and acrylic on yellow tongue painting. Documentation by Joe Ruckli.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1718528156086-60UZ00FVWDSGV8RDV7JJ/Paltform_53.jpg</image:loc>
      <image:title>Houseboat: IMA Platform (2024)</image:title>
      <image:caption>Houseboat installation as part of Platform at IMA. Houseboat has two channel video by Charlie Hillhouse, rocket stove and alcohol burners by Alrey Batol and handmade rugs by Leen Rieth. Installation includes floodline and acrylic on yellow tongue painting. Documentation by Carl Warner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1718528477342-KU1ZY75QD4ANLPYM5S4A/Paltform_49.jpg</image:loc>
      <image:title>Houseboat: IMA Platform (2024)</image:title>
      <image:caption>Houseboat installation as part of Platform at IMA. Houseboat has two channel video by Charlie Hillhouse, rocket stove and alcohol burners by Alrey Batol and handmade rugs by Leen Rieth. Installation includes floodline and acrylic on yellow tongue painting. Documentation by Carl Warner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/542b5d04e4b0422d3fc292ec/1718528384318-NN3B1PDBUP5S8T0L5CBT/Paltform_41.jpg</image:loc>
      <image:title>Houseboat: IMA Platform (2024)</image:title>
      <image:caption>Houseboat installation as part of Platform at IMA. Houseboat has two channel video by Charlie Hillhouse, rocket stove and alcohol burners by Alrey Batol and handmade rugs by Leen Rieth. Installation includes floodline and acrylic on yellow tongue painting. Documentation by Carl Warner.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Houseboat: IMA Platform (2024)</image:title>
      <image:caption>Houseboat installation as part of Platform at IMA. Houseboat has two channel video by Charlie Hillhouse, rocket stove and alcohol burners by Alrey Batol and handmade rugs by Leen Rieth. Installation includes floodline and acrylic on yellow tongue painting. Documentation by Carl Warner.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Houseboat: IMA Platform (2024)</image:title>
      <image:caption>Houseboat installation as part of Platform at IMA. Houseboat has two channel video by Charlie Hillhouse, rocket stove and alcohol burners by Alrey Batol and handmade rugs by Leen Rieth. Installation includes floodline and acrylic on yellow tongue painting. Documentation by Joe Ruckli.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Houseboat: IMA Platform (2024)</image:title>
      <image:caption>Houseboat installation as part of Platform at IMA. Houseboat has two channel video by Charlie Hillhouse, rocket stove and alcohol burners by Alrey Batol and handmade rugs by Leen Rieth. Installation includes floodline and acrylic on yellow tongue painting. Documentation by Joe Ruckli.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Houseboat: IMA Platform (2024) - Building a House Boat</image:title>
      <image:caption>Houseboat installation as part of Platform at IMA. Two channel video by Charlie Hillhouse, featuring Mitchell Mclaughlin, Llewellyn Millhouse, Leen Rieth, Muffy Hewitt.</image:caption>
    </image:image>
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      <image:title>Houseboat progress (2023)</image:title>
      <image:caption>https://www.dreamb0at.org/ For houseboat designs, Brisbane Free University discussion, greywater and blackwater lectures, as well as documentation of rope-making, tile-making and aluminium welding by Charlie Hillhouse. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. This project is supported by the Queensland Government through Arts Queensland.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Houseboat progress (2023)</image:title>
      <image:caption>https://www.dreamb0at.org/ For houseboat designs, Brisbane Free University discussion, greywater and blackwater lectures, as well as documentation of rope-making, tile-making and aluminium welding by Charlie Hillhouse. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. This project is supported by the Queensland Government through Arts Queensland.</image:caption>
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    <changefreq>daily</changefreq>
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