As a part of my practice I participate in skill-sharing and DIY forms of knowledge. I learn how to do something, document the process, and facilitate other people learning the same skill. I’m interested in the potential for skill-sharing methodologies to form respectful relationships and create less-hierarchical spaces for learning.

The self-imposed parameters for this work were: that the object would be useful to the IMA both during and after the Making Art Work project, that some new skills would be learnt in the process of making the object, and that the process of making the work would be enjoyable.

Details available at https://makingart.work/projects/sarah-poulgrain

Comissioned by the Institute of Modern Art as part of Making Art Work. Photograph by Llewellyn Millhouse. Video documentation of work in progress by Charlie Hillhouse. Structure holding works by Ana Paula Estrada, Jenna Lee, Chantal Fraser, Hannah Gartside and Eggvein.

 As a part of my practice I participate in skill-sharing and DIY forms of knowledge. I learn how to do something, document the process, and facilitate other people learning the same skill. I’m interested in the potential for skill-sharing methodologi

As a part of my practice I participate in skill-sharing and DIY forms of knowledge. I learn how to do something, document the process, and facilitate other people learning the same skill. I’m interested in the potential for skill-sharing methodologies to form respectful relationships and create less-hierarchical spaces for learning.

The self-imposed parameters for this work were: that the object would be useful to the IMA both during and after the Making Art Work project, that some new skills would be learnt in the process of making the object, and that the process of making the work would be enjoyable.

Details available at https://makingart.work/projects/sarah-poulgrain

Comissioned by the Institute of Modern Art as part of Making Art Work. Photograph by Llewellyn Millhouse. Video documentation of work in progress by Charlie Hillhouse. Structure holding works by Ana Paula Estrada, Jenna Lee, Chantal Fraser, Hannah Gartside and Eggvein.

 Comissioned by the Institute of Modern Art as part of Making Art Work. Photograph by Llewellyn Millhouse. Video documentation of work in progress by Charlie Hillhouse. Structure holding works by Ana Paula Estrada, Jenna Lee, Chantal Fraser, Hannah G

Comissioned by the Institute of Modern Art as part of Making Art Work. Photograph by Llewellyn Millhouse. Video documentation of work in progress by Charlie Hillhouse. Structure holding works by Ana Paula Estrada, Jenna Lee, Chantal Fraser, Hannah Gartside and Eggvein.

Comissioned by the Institute of Modern Art as part of Making Art Work. Photograph by Llewellyn Millhouse. Video documentation of work in progress by Charlie Hillhouse. Structure holding works by Ana Paula Estrada, Jenna Lee, Chantal Fraser, Hannah Gartside and Eggvein.

 As a part of my practice I participate in skill-sharing and DIY forms of knowledge. I learn how to do something, document the process, and facilitate other people learning the same skill. I’m interested in the potential for skill-sharing methodologi
 As a part of my practice I participate in skill-sharing and DIY forms of knowledge. I learn how to do something, document the process, and facilitate other people learning the same skill. I’m interested in the potential for skill-sharing methodologi
 Comissioned by the Institute of Modern Art as part of Making Art Work. Photograph by Llewellyn Millhouse. Video documentation of work in progress by Charlie Hillhouse. Structure holding works by Ana Paula Estrada, Jenna Lee, Chantal Fraser, Hannah G
 Comissioned by the Institute of Modern Art as part of Making Art Work. Photograph by Llewellyn Millhouse. Video documentation of work in progress by Charlie Hillhouse. Structure holding works by Ana Paula Estrada, Jenna Lee, Chantal Fraser, Hannah G

As a part of my practice I participate in skill-sharing and DIY forms of knowledge. I learn how to do something, document the process, and facilitate other people learning the same skill. I’m interested in the potential for skill-sharing methodologies to form respectful relationships and create less-hierarchical spaces for learning.

The self-imposed parameters for this work were: that the object would be useful to the IMA both during and after the Making Art Work project, that some new skills would be learnt in the process of making the object, and that the process of making the work would be enjoyable.

Details available at https://makingart.work/projects/sarah-poulgrain

Comissioned by the Institute of Modern Art as part of Making Art Work. Photograph by Llewellyn Millhouse. Video documentation of work in progress by Charlie Hillhouse. Structure holding works by Ana Paula Estrada, Jenna Lee, Chantal Fraser, Hannah Gartside and Eggvein.

As a part of my practice I participate in skill-sharing and DIY forms of knowledge. I learn how to do something, document the process, and facilitate other people learning the same skill. I’m interested in the potential for skill-sharing methodologies to form respectful relationships and create less-hierarchical spaces for learning.

The self-imposed parameters for this work were: that the object would be useful to the IMA both during and after the Making Art Work project, that some new skills would be learnt in the process of making the object, and that the process of making the work would be enjoyable.

Details available at https://makingart.work/projects/sarah-poulgrain

Comissioned by the Institute of Modern Art as part of Making Art Work. Photograph by Llewellyn Millhouse. Video documentation of work in progress by Charlie Hillhouse. Structure holding works by Ana Paula Estrada, Jenna Lee, Chantal Fraser, Hannah Gartside and Eggvein.

Comissioned by the Institute of Modern Art as part of Making Art Work. Photograph by Llewellyn Millhouse. Video documentation of work in progress by Charlie Hillhouse. Structure holding works by Ana Paula Estrada, Jenna Lee, Chantal Fraser, Hannah Gartside and Eggvein.

Comissioned by the Institute of Modern Art as part of Making Art Work. Photograph by Llewellyn Millhouse. Video documentation of work in progress by Charlie Hillhouse. Structure holding works by Ana Paula Estrada, Jenna Lee, Chantal Fraser, Hannah Gartside and Eggvein.

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